Film Score Monthly

“White Dog” Liner Notes

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“Film Score Daily” articles for Film Score Monthly:

• 15 May 1997: “Father’s Day” and the Dilemma of Comedy Scoring
• 8 October 1997: Two Faces of Herrmann: “Psycho” & “The Ghost and Mrs. Muir”
• 13 October 1997: Has Film Music Innovation Died?
• 16 October 1997: Discovering Alex North
• 22 October 1997: Feedback: The Death of Film Music Innovation
• 29 October 1997: Howard Shore: Giving Darkness Elegance
• 12 November 1997: “I’m Your Huckleberry:” The Music of Bruce Broughton
• 26 November 1997: Zimmer: A Chorus of Disapproving Voices
• 17 December 1997: Goo a Little Dance, Make a Little Flub, Get Neuralyzed
• 24 December 1997: Thomas Newman’s Dichotomy
• 5 January 1998: CD Review: Jerry Goldsmith’s Frontiers
• 2 April 1998: Reconciling a Golden Age
• 23 April 1998: “You Never Know How to Do It:” An Interview with Elmer Bernstein
• 30 April 1998: Missing the Boat for Skull Island
• 25 May 1998: David Arnold’s Stomping Ground
• 26 May 1999: The Fandom Menace
• 16 August 1999: Midsummer Round-Up
• 21 February 2000: CD Review: “S&M” (Metallica / Michael Kamen)
• * 14 March 2000: CD Review: “End of Days”
• 5 July 2000: Confessions of a FSM Intern: Installation #1 – “Look Ma, No Hands”
• 10 July 2000: “The Patriot” Film Review: Déjà vu All Over Again
• 12 July 2000: Confessions of a FSM Intern: Installation #2 – “It’s Interesting…”
• 17 July 2000: The “Perfect” Score?
• 19 July 2000: Confessions of a FSM Intern: Installation #3 – Los Angeles Strikes Back, and Some Random Observations
• 24 July 2000: X-Men: Insert Pun Here
• 31 July 2000: What Lies Beneath? Don’t Ask Me
• 3 August 2000: Confessions of a FSM Intern: Installation #4 – Duties of an Intern, and Musings on the System
• 14 August 2000: Confessions of a FSM Intern: Installation #5 – This Concludes Our Broadcast Day
• * 16 August 2000: CD Review: “Maltin’s Choice”
• 28 August 2000: Summer Retrospective: Why Are the Movies So Bad?
• * 31 August 2000: CD Reviews: “Bullitt,” “The Fox”
• * 14 September 2000: CD Review: “Running Free”
• * 18 September 2000: CD Review: “Escape from New York”
• 20 September 2000: Almost Famous
• * 21 September 2000: CD Reviews: “The Faculty,” “Deep Water”
• * 25 September 2000: CD Review: “Guns of San Sebastian / Dark of the Sun”
• 21 November 2000: Dissecting the Horror Score
• 22 November 2000: How the Fun Was Stolen From the Grinch
• * 18 December 2000: CD Review: “Grand Prix / Ryan’s Daughter”
• * 2 January 2001: CD Review: “Pursued”
• * 31 January 2001: CD Review: “Into the Arms of Strangers”
• 5 February 2001: “Cast Away:” Escapism of a Different Kind
• * 8 February 2001: CD Review: “Austin Powers”
• 28 February 2001: Interview: John Ottman on “Urban Legends: Final Cut”
• * 19 March 2001: CD Review: “Fever”
• 21 March 2001: “Hannibal,” Or: A Question of Taste
• * 16 April 2001: CD Review: “Farscape”
• 18 April 2001: Comerford on Criticism
• 30 April 2001: Jason’s Short Takes
• * 2 July 2001: CD Review: “The Dish”
• * 23 July 2001: CD Reviews: “Pavilion of Women,” “The Tailor of Panama”
• 1 October 2001: “Nothing else matters”
• * 31 December 2001: CD Review: “The Musketeer”
• * 18 February 2002: CD Review: “Project X”
• * 6 May 2002: CD Review: “The Affair of the Necklace”
• * 17 June 2002: CD Review: “Black Hawk Down”
• * 1 July 2002: CD Review: “In the Bedroom”
• * 19 February 2003: Six Things I’ve Realized About Film Music: 2002 in Review
• * 21 July 2003: CD Reviews: “The Hunted,” “Darkness Falls,” “Children of Dune”
• 15 October 2003: Memoirs of a True Geek

* – From the printed editions of Film Score Monthly. All other non-asterisk’d articles were written exclusively for the FSM website.